Since my installation in Mont-près-Chambord in 1976, I study celadon, seeking unobtainable information in books.
Ten years later, in 1986, a weighing error leads me towards this mesmerizing, mythical, satin and translucent material, to which I still devote all my mind and all my time. Although today I regained the technical principles that govern the formation of the famous "fat reflection”, I multiply tirelessly testing, always looking for a new perfection in the quality of a satin tone or in the shade of a tone.
Celadon provides a sensation of sweetness, a sense of infinite depth. In contrast, this serenity allows me to exalt tension, some drama in the complex, vivid and sometimes twisted sculptures.
The outside parts are carved from a block of very soft clay. Forms barely organized but dynamic, abundant and nervous, drawn in a quick gesture, then take birth, retaining at their surface traces of this brutal and passionate genesis.
After an early drying, the clay is hardened and I dig inside. The action is lasting, clay became hard, the lines tighten then become set, and surfaces smooth. Some edges, projections more or less tapered will then fill the vacuum, rhythm and organize it. They are the idea and thought I aggregates with most sensual forms from the outside. On the most recent sculptures, the modeling of a fleshy lip opposes the tension of a line sharp as a blade where the material disappears. The opposition between the indefinite and the defined greatly attracts me, and underpins my work. I like this progression from the effect of material where everyone can let his fantasy enter, to a well-defined form which expresses a symbolic aesthetic universe.
Jean-François Fouilhoux
What represents for me the path of a successful artist is his ability to create a work that will stand the test of time.
In this sense, Jean-François Fouilhoux's career is exemplary.
His work is both timeless and universal; by the choice he made to concentrate his research on celadon, to the point of excelling in the technical mastery of this enamel from Asia, and above all by the choice to rely on this technique to develop a formal statement that he has been able to develop over the decades.
Starting from the earth to go towards the sky, inviting the viewer to a sensory journey, among the folds and folds, the transparencies and cracks.
One discovers in each line the strength of the gesture which determined it. We perceive this vibratory impulse, the meeting of the full and the empty, a fragile balance that echoes our human condition. Like a link that we could finally weave between cultures, a language that each being could decipher and share.
Art as a universal language, what better to hope for?
Laura Capazza-Durand
Born in 1947
Ecole Nationale Supérieure des Arts Appliqués, Paris
Member of the International Academy of Ceramics
Read more1980 Internationale Handwerkmesse München, Allemagne, gold medal
1982 Biennale de Vallauris, Price of the ceramics chambre syndicale
1995 Max Laeuger Preis, Lörrach, Germany, First price
1998 The Fletcher Challenge Ceramics Award, Auckland, New Zeland, first price
1999 Internationale Handwerkmesse München, Germany, Bayerischer Straatspreis
Read moreMusée National de Céramique, Sèvres, France
Centre National d’Arts Plastiques, Paris, France
Musée des Arts Décoratifs, Paris, France
Musée de Vallauris, France
Musée des Beaux-Arts de Mulhouse, France
Musée Déchelette, Roanne, France
Musée Bertrand, Châteauroux, France
Fonds Régional d’Art Contemporain, Alsace, France
Fonds Régional d’Art Contemporain, Basse Normandie, France
Musée Pingé, Angers, France
Musée Bernard Palissy, Saint-Avit, France
Musée Théodore Deck, Guebwiller
Musée Van Dam Van Bommel, Venlo, Netherlands
Musée Boijmans van Beuningen, Rotterdam, Netherlands
Musée Ariana, Genève, Swiss
Musée de Lörrach, Germany
Museen im Grassi, Leipzig, Allemagne
Fletcher Collection, Aukland, New-Zeland
Kunstgewerbemuseum Schloss Pilinitz, Dresden, Germany
Kunstammunlungen, Coburg, Germany
Keramikmuseum, Westerwald, Germany
Museum of Arts and Design, New-York, USA
L.A. County Museum of Art, Los Angeles, USA
Shimada Museum, Japon
Read more2021 Enfances, collective exhibition, Galerie Capazza, Nançay
114ème Salon des Artistes Orléanais, Empreintes sensibles, Saint-Pierre-le-Puellier, Orléans
2020 Le torse d’une femme à la pureté d’un vase, grands courbes simples d’un fruit désiré, Parcours d’art contemporain autour d’Auguste Rodin, 1 exhibition, 5 locations, collective exhibition, Galerie Capazza, Nançay
2019 L’arbre c’est le temps rendu visible, collective exhibition, Galerie Capazza, Nançay, France.
Art Fair Tokyo .Sokyo Gallery, Japan.
Galerie Collection , Paris. One man exhibition.
Permutation, Fouilhoux, Courbet. Galerie XXI, Paris.
Re-Naissance(s), collective exhibition, carte blanche à la Galerie Capazza, Hôtel Gouin, Tours
2018 Sokyo Gallery, Kyoto, Japan.
Tsinghua University Art Museum, Pékin, Chine.
Galerie Bourdette-Gorzkowski, Honfleur, France. One man exhibition.
Miroir des sentiments, collective exhibition, Galerie Capazza, Nançay, France.
2017 Galerie Atelier 28, Lyon, France. One man exhibition.
Espace Mayorga, Suhescun, France. One man exhibition.
Art Elysée with the Galerie Capazza, Paris.
Quand l’art façonne le lien, Prieuré de Charrière, Châteauneuf de Galaure, France.
Soixante dix céladons, Collection Caillat, Musée de la Méditerranée, St Quentin la poterie, France. Curator of the exhibition.
Céladon, Claude Champy et Jean-François Fouilhoux, Musée Bernard Palissy, St. Avit, France.
Les jardins de Bomarzo, Espace privé Hélène Aziza, Paris.
Il est grand temps de rallumer les étoiles, collective exhibition, Galerie Capazza, Nançay, France.
2016 Le geste, Galerie Marianne Heller, Heidelberg, Allemagne. One man exhibition.
Viviane Sabouret, Espace privé Hélène Aziza, Paris.
Rouge,Musée de la Méditerranée, St Quentin la poterie, France.
Vénus et Vulcain, exposition collective, Galerie Capazza, Nançay, France.
2015 Galerie Terra Viva, Saint-Quentin la Poterie, France
Design Days, Dubaï, Emirats Arabes Unis.
Rouge de cuivre, Galerie Jean D’Albis. Paris, France.
Vingt ans, Galerie Empreintes. Aydat, France.
Printemps des Arts » Cotignac, France.
Galerie Puls. Bruxelles, Belgique. One man exhibition.
International Art Ceramic Festival, Sasama, Japan. Artist invited.
2014 Galerie Nadia B, Dieulefit, France
2013 Compagnie de la Chine et des Indes, Paris
Galerie du Don, Le Fel, France
2012 « Ligne nue », Galerie Capazza, Nançay, France
2011Galerie Mayorga. Suhescun, France
Otto Utstilling 2011.Ottohuset, Finnoy, Norway
Puls Contemporary Ceramics, Bruxelles, Belgium
2010« Calligraphies d'argile » Galerie Hélène Porée, Paris, France
Artiste invité, Château de Saint-Amand en Puisaye, France
« Dancing » Galerie Empreinte. Aydat, France
« Le Sel », artiste invité, Sèvres, France
Centre céramique contemporaine de La Borne, France
2009« Adventures of the Fire » The 5th World Ceramic Biennale 2009 Korea. World
Contemporary Ceramics. Artiste invité.
Musée Théodore Deck, Guebwiller, France
2008Galerie Loes & Reinier, Deventer, Netherlands
Galerie Geneviève Godar, Lille, France
Galerie Carla Milivinti, Blois, France
2007French Museum, résidence, Fuping, China
2006Galerie Pierre. Paris, France
Tong-in Auction Gallery. Seoul, South Korea
Sofa NYC 2005, Galerie B15, New-York, USA
Puls Contemporary Ceramics, Bruxelles, Belgium
2005Arita Porcelain Museum, Arita, Japan
« Céladon, la lumière captive », Collections Baur, Genève, Switzerland
Galerie Terra Viva, Saint-Quentin-la-Poterie, France
Galerie Geneviève Godar, Lille, France
Cheongju International Craft Biennale 2005, Corée du Sud. Invited artist
2004Galerie Nadia B. Dieulefit, France
First Biennale of Ceramic of Taiwan.
Workshop. Taipei County Yingge Ceramic Museum, Taiwan
2003Galerie Capazza, Nançay, France
2002“ The Stuff of Dreams- Matière de Rêves” Portland Art Museum, Portland, USA
Maison du Loir et Cher, Blois, France
Espace Saint Jean, Melun, France
2001Keramikmuseum Westerwald, Hôhr-Grenzhausen, Germany
Galerie Loes & Reinier, Devanter, Netherlands
Galerie Geneviève Godard, Lille, France
Galerie Sarver, Paris, France
2000"Ceramics at the Turn of the Millennium, Galerie Helen Drutt, Philadelphia, USA.
" Rêves de Jade", Galerie le Vieux Bourg, Lonay-près-Morges, Switzerland
Galerie Tony Rocfort, Rennes, France
1999Internationale Handwerkmesse Mùnchen 99, RFA. Bayerisher Staatspreis.
Galerie Sarver, Paris
Galerie Hamelin, Honfleur, France
Galerie B 15, Mùnchen, Germany
1997Galerie Hamelin, Honfleur, France
1996Hôtel de Ville de Choisy-le-Roi, France
Galerie B 15, München, Germany
1995Galerie DM Sarver, Paris, France
Galerie du Puits Châtel, Blois, France
Galerie Le Vieux Bourg, Lonay-près-Morges, Switzerland
1994"Le Céladon", Galerie le Vieux Bourg, Lonay-près-Morge, Switzerland
1993Galerie DM Sarver, Paris, France
1992"L'Artère essentielle", Maison de la Céramique, Mulhouse, France.
1989"The 2nd International Ceramics Compétition 89", Mino, Japan
1988Galerie La Marge, Blois, France.
1986Galerie DM Sarver, Paris, France
Meckenheim, RFA
1985Galerie Arcadie, Lyon, France
1984Galerie DM Sarver, Paris, France
1983Galerie Feiter, Bad Honnef, RFA
1982Galerie Noëlla Gest, Saint Rémy de Provence, France
Galerie DM Sarver, Paris, France
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